Prologue October 3rd October 4th November 6th November 8th November 9th November 11th November 12th November 13th December 3rd December 5th December 8th April 43rd Martober 86th No Date Can't Remember The Date The 1st Madrid, Feb. 30th Jan. After Feb. The 25th Da 34
frame 000
117: INT. POOL OF MOONLIGHT/WRITING DESK

The WRITER'S HAND enters the frame and writes the date of the next entry upon the moonlight.

SOUND: A knock at the door.

frame 001

The hand and quill leave the frame.

POPRISHCHIN V.O.

April Forty-Third.

SOUND: Another knock.

POPRISHCHIN V.O. (cont'd)

year 2000.

WIPE TO:

frame 004
118: INT. POPRISHCHIN'S APARTMENT - SUNRISE

(In Act I, the CAMERA was always shooting from above Poprishchin. The world looked down on Poprishchin, and he looked up at the world. Now in Act III, the roles are reversed. Poprishchin looks down at the world, and the CAMERA looks up at him.) The white page opens as if it were painted on the back of the door.

frame 003

MAVRA enters the room carrying her basket with Poprishchin's boots and clothes. She notices Poprishchin is not in his bed. Mavra looks towards the window.

frame 002

The CAMERA TRACKS around Mavra...

frame 005

and reveals POPRISHCHIN, with his back to the CAMERA, staring out the window. The golden morning sunlight pours through the window illuminating him in a halo. Mavra keeps a wary eye on Poprishchin, as she quietly walks towards the dresser with the basket.

POPRISHCHIN

The day of today is a day of the greatest solemnity. Spain has her rightful king. He found himself.

frame 006

Poprishchin turns around and looks at Mavra with regal calm.

POPRISHCHIN (cont'd)

This King is me.

frame 007

Mavra drops the basket and covers her mouth. She is finally convinced that Poprishchin has gone mad. Poprishchin and the CAMERA circle Mavra, eying her up and down from opposite sides of the circle.

frame 008

POPRISHCHIN (cont'd)

But do not fear, you can be assured of Our royal favor, and as a token of Our graciousness, We shall grant you a pardon for all those times you failed to clean my boots properly! Oh, you fear that all Kings of Spain are like Philip II. What can one expect from the common herd? I am nothing like Philip II. I don't have a single Capuchin monk.

frame 009

What? This sort of thing happens all the time in history. Oh that's right, you don't read. Often, some fairly ordinary man, is revealed to be a great statesman, or a baron.

frame 010

Frankly, it all dawned on Us like a flash of lightning, Our rightful place. It's incredible to Us now that We could have ever thought or imagined that We were a civil service clerk. How could such a crazy idea ever have entered Our head? Thank God no one thought of putting Us in the mad house.

frame 011

The CAMERA MOVES ACROSS the circle towards Poprishchin.

POPRISHCHIN (cont'd)

Now We see everything clearly. Everything is as bright as day... Brighter! I don't really know why, but before, before everything loomed at me from out of a fog. And the whole reason for this, as I see it, is that people are under the misapprehension that the human brain is situated in the head: no, no.

frame 012

The CAMERA stops on a CLOSE-UP of Poprishchin. He is lost in his thoughts, his hand held over his heart.

POPRISHCHIN (cont'd)

I think we can both agree that the human brain is blown in by the winds, from somewhere around the Caspian Sea.

frame 013

Cut to: Mavra is dumbfounded.

MAVRA

Will you be going to work today?

frame 014

Cut to: Poprishchin is resolute. The CAMERA PANS with him as he crosses to the window.

POPRISHCHIN

Oh no, don't even try. We are not going to work. To hell with that hell. Damn them. Never again. Never again will I copy those damned documents.

frame 015

Poprishchin takes his place by the window, and looks out over his subjects.

CUT TO: